John Szarkowski teach us very important ways of understanding
photographs and photography. I underlined a few interesting phrases from this
reading.
“The subject and the
picture were not the same thing, although they would afterwards seem so.”
- I feel like “photography = reality” is the most
misunderstood concept of photography. Even so-called documentary photographs
are just as interpretive as paintings or any other visual art. In fact, it
surprisingly distorts reality so much. By freezing one moment on a piece of
paper (or on a screen), it completely ignores the context of what happened in
reality.
“The decline of
narrative painting in the past century has been ascribed in large part of the
rise of photography, which “relieved” the painter of the necessity of story
telling.”
- It is always interesting to see how photography has
changed the way we look at the world. Just anything “visual” has changed
because of photography. Did photography really get rid of painters’ burden? Is
photography a big influence on abstract paintings?
“ . . . the decisive
moment, but the phrase has been misunderstood; the thing that happens at the
decisive moment is not a dramatic climax, but a visual one. The result is not a
story but a picture.”
- This well-known term “the decisive moment” is still quite
vague to me. However, reading
Szarkowski, I can understand that the result is really just the photograph, not
a story. I remember the guest photographer we had a few weeks ago, David
Farmerie was very focused on having a story in photographs. Does a photograph
tell you a story, or is it just a photograph?
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